Kevin Thom - Hamilton, Toronto, Ontario Photographer

Laura Hollick is the MacGyver of art.

While we were in California, we wanted to do a photo shoot on the beach. She found a couple of sticks on the ground, and with a few scraps of fabric from a local textile store, she fashioned a brilliant flying rainbow bird costume. We scouted an amazing location: the Torrey Pines State Reserve, in La Jolla. The reserve is home to a stunning beach, backed with high cliffs. Boulders, layered with gold and purple hues had tumbled down the cliffs, and lay in ruggedly beautiful disarray on the sand. They seemed the perfect backdrop for our initial photos of the rainbow bird.

Next, I wanted to see the rainbow bird fly, so Laura headed into the surf for some leaps. A lot of leaps, actually. It took a lot of trial and error to find the right angle, pose, and to time the shots and leaps with the waves. I think Laura leaped about 120 times before we figured we had the right combination of sky, sea, sand and rainbow bird. The sky was overcast, the sun being obscured by the thick marine layer that invades the So-Cal shores at this time of year. There was still ample light, though, allowing very fast shutter speeds for freezing those leaps in mid-air. After we’d exhausted our quota of leaps, it was time to cool off by splashing into the Pacific Ocean. As a side note, jumping into the ocean in your clothes is only fun until about five minutes after you get out. Then it’s just damp and clammy. It was still worth it though!

Later on, I reviewed the images on my laptop. I couldn’t help but wonder if the photos of the colorful rainbow bird would have been better with a bright blue sky. The next day, after we’d moved up the coast to San Clemente, and checked into a motel that can only be described as “kitschy,” the sun came out. It had turned into the perfect blue-sky California day that I’d envisioned when we’d started talking about this shoot. I persuaded Laura to don the rainbow bird costume once again and we walked down to the beach.

Many more leaps ensued. Finally, a hundred and fifty more leaps into the shoot, Laura announced that it was enough.

Here’s the final image that we chose from the many that we shot over those two glorious days at the beach. I feel that it captures the mystical character of the rainbow bird with a slightly unusual perspective. I shot it from a low angle, close to Laura with my 24-70mm f2.8L lens at 24mm. I asked her to leap as close to me as she could, so the wings would brush over my head as she passed me. This is what it took to exaggerate the perspective and get that shot that stood out from the others. To obscure her footprints in the wet sand, we timed it so she would leap just as the white foam surf washed under her while she was in the air. This helped to further the illusion of flight. I’m very happy with this image. I think all the elements finally came together in the moment to create a photo better than either of us could have imagined ahead of time. That’s my favorite way to work.

This rainbow bird photo is the final photo that we shot for our book Live Your Spirit, which is now available at Blurb.

I did a shoot with Shirley on Aliso Beach in South Laguna, California. We set up the shoot by email, and initially, Shirley was a bit nervous about how it was going to go, but I assured her that it would be fun. After all, how could it not be? We’d be hanging out on a beautiful beach, the wind in our hair and the surf at our feet, with my camera riding along as an unobtrusive observer. I couldn’t see how it wouldn’t be fun. When I met Shirley, I was struck by her radiance. She positively glows, and it was indeed easy to get fun and beautiful photos of her.  I think the ocean brings out a sense of joy in all of us, and it didn’t take long for us to relax into a flow of playful shooting.

Shooting contre jour in that brilliant California sun provided dramatic accent to the already spectacular setting. The ample light also afforded me the luxury of high shutter speeds, even with my camera dialed down to ISO 50. One of the reasons I really like Canon DSLRs is that they have the ability to shoot at ISO 50. Sure, high ISO speeds are desirable in low light conditions, but low ISO speeds are also handy because they allow me to stop down to f2.8 in sunny conditions. Anyway, because of the bright light, I took the opportunity to encourage Shirley to move, jump and dance. Freezing action amps up the fun and energy levels of a photo.

Shirley’s in the process of choosing her final images from the shoot, but I couldn’t resist sharing these few samples of our fun afternoon on the beach.

Laura and I drove into San Diego late last night, after flying into Orange County. It’s nice to be back in California again. It’s a bit cool and grey, which I’m told is due to the “June Gloom,” a weather condition that results in clouds and fog in the mornings and evenings. In the morning, I left Laura to enjoy her conference in San Diego, and drove up the coast toward Los Angeles. I found that the June Gloom quickly gives way to bright blue skies at mid-day, as the California sun is irrepressible.

Heading north on I-5, I made a stop in San Clemente to dip my feet into the Pacific, walk the pier, and to have a delicious seafood salad at the Beach Garden Cafe. I particularly enjoyed walking the beach, feeling the pull of the tide eroding the sand beneath my feet, the ocean breeze through my hair, and the sun on my face. Children pelted noisily by, kicking up sand, splashing into the surf, fueled by new discovery. Their excitement fortified my own desire for exploration. In the distance, dark dolphin shapes looped lazily above the waves before disappearing again into azure.

For the next couple of nights, I’ll hang out with my talented Uncle Wayne in Los Angeles. Wayne has 40 years of experience in architectural photography, and is a great source of professional and artistic knowledge.

Every year I head down to Carrboro, North Carolina for the North Carolina Comedy Arts Festival, hosted by my good friend Zach Ward and his Dirty South Improv Theater. The festival has been around for 10 years now, and has grown immensely in the four years that I’ve been attending. The little town of Carrboro now boasts a world-class festival that includes stand-up, sketch, film and improvised comedy. Those who know me know that I’m a big fan of improv, and enjoy performing as well. So, it’s always a pleasure and an honor that Zach asks me each year to combine this passion of mine with my passion for shooting.

Shooting live events is not something I do regularly or professionally, but shooting improv is a real joy. The challenge of capturing the very peak of a spontaneous moment under trying lighting conditions is a real test of my photography abilities, and keeps me thoroughly engaged in the moment. The festival is packed with some of North America’s most talented improvisers, and there’s no shortage of these brilliant improvised moments to shoot.

I return from the festival each year creatively invigorated, nourished by friendships renewed, and loaded with gigabytes of images. You can find this year’s selection in my portfolio. However, there are a lot to sift through. I’ve collected my favorites in the gallery below.

Today I spent some time thinking back to my trip to Thailand in February, 2005. It was just a couple of short months after the giant tsunami hit the southern parts of the country on December 26, 2004, causing massive devastation and a heartbreaking loss of life.

I was inspired by how Thais in Phuket reaction to the event. Despite the daunting destruction and chaos, they rolled up their sleeves and got to work repairing the damage. Rubble was swept into neat piles and cleared away, flowers were replanted, and construction got underway to rebuild demolished structures. Tourists, whose money is the lifeblood of the region, stayed away from Phuket in droves, and the normally bustling resorts were nearly deserted. So much had been swept into the sea. Almost everyone there had lost friends and relatives to that giant wave. Instead of lapsing into despair, Thai workers did what needed to be done, and then took to the beaches and played joyful games of soccer. The joy and energy was infectious, and that evening as I stood in the soft sand and panned my lens across that scene, I captured one of my most personally meaningful photos.

I’ll always remember the Thai way of adapting, flowing and rolling with the punches. If you can take this to heart, you’ll always land on your feet with a smile, no matter what the universe throws at you. This approach can be very useful to photographers. We’re often at the mercy of weather, equipment failures, financial limits, wardrobe, client demands, and other uncontrollable factors. Often, our intricate pre-made plans get demolished in an instant. Having learned to stay in the present and to observe its many opportunities has made a big difference to me. Although I always hope for ideal conditions for every shoot, I feel confident that I can adapt to create compelling photos in nearly any situation. Try it some time. Whenever you catch yourself bemoaning what you perceive to be a negative turn of events, re-examine the situation to see if it contains any hidden advantages.